Captain's Log
We don't just keep going through the January schedule, but catch up on a couple of things we'd missed
The increasing length of these columns means the fluff is going to steadily drop by the wayside. You probably don’t come here for the pithy asides, though.
Shoresy – Though season 5 has not premiered in America yet, we were able to watch the whole thing. (When will it premiere? You’ll have to read through to the end! I buried the information somewhere in the middle on purpose.) Season 5 is focused on a touring team of EU All-Stars barnstorming North America, and after wiping out most of the competition (and their coach talking shit about North American hockey), Shoresy decides to put together his own team to challenge the all-stars, and show them North American style hockey (read, physical and violent) can still compete. That means not only getting together most of the Blueberry Bulldogs (at least the ones who already stuck around for season 4), but also the best of the other players we’ve seen them compete against, not just in the NOSHO but across Canada from the National Senior Tournament. It all works pretty well; I liked the ending quite a bit, and though stretches of the season do the same repetitive-wordplay shtick (“repetitive” in that we hear the same conversations more than once between different people), but there are some great wordplay gags (a truly impressive run by Shoresy in the fourth episode), and all in all the season is pretty good. I mean, it’s what you’ve come to expect from Shoresy by now, just with a different, further along plot than the previous seasons.
Also, for the first time in months, we watched another new episode of Futurama, “Scared Screenless.” The premise was a little trite (these kids today, and also robots, are on their damn screens too much) but overall the episode was actually pretty funny. Maybe the best of the season so far?
Abbott Elementary, “Mall Part 3: Heroes” – A solid wrap-up to the mall storyline, in that it might not be the funniest episode (although it isn’t unfunny— more on that in a bit), but it does actually tie together the story in an effective way. After the local paper profiles the Abbott teachers as heroes making more from less and all that… they learn that construction has temporarily stopped on the Abbott repairs. Janine has a revelation while trying to deal with a problem student by seating him next to a good student: She’s essentially punishing the good student for being a good student… which is exactly what the district is doing with the Abbott teachers! They kinda half-ass and rush the resolution after that, but that sort of plot connectiveness is something I always appreciate, and something we don’t often see from the show. And very funny: Mr. Johnson’s story, when he’s resistant to the district hiring a woman janitor (Khandi Alexander) to help cover the cleaning since the mall is so much larger than the school.
Stumble, “God Bless HeÃ¥dltston” – Huh, I thought I knew how to spell the town name, but the accent mark is new to me. Anyway, one of them big tech companies is looking to build an AI data center, and HeÃ¥dltston is the kind of town that’s probably been fracked to death anyway, so Courteney gets on board with bringing the data center to town so that they’ll sponsor the cheer team. Anyway, there’s a talent show, Boon getting a nice showcase with some of his abilities (hidden and otherwise), and the show continues its streak of never missing a chance for some wordplay (“Mayor Mayknott”) or using the documentary format for a good chyron-type gag (“DOCUMENTARY DISCLAIMER: Most people do not respond positively to traumatic head injuries”). And in her second recent appearance after the Halloween Elsbeth, Annaleigh Ashford guests in this one.
The inside-baseball nerd in me is still trying to figure out how the casting contracts work… because all of the six main cheerleaders (plus Courteney and Boon) are credited for every episode on IMDB, but they don’t all appear in every episode— Sally and Steven were noticeably absent this time around. Anyway, still great!
Going Dutch, “Farmer’s Mark-tet Offensive” – Katja (Catherine Tate) is back, and running for mayor of Stroopsdorf; part of her campaign is to attack the presence of the American base there. Patrick interprets this as some kind of conflict-based flirtation by Katja, which sounds insane on his part, but of course it turns out she is the same kind of insane, constantly-escalating person as he is. Meanwhile, Shah and Papadakis launch a scheme to sell lobsters so Shah can help Celeste pay off her debts… which has a few pretty good jokes but largely seems to be setting up some reasons Shah and Celeste will break up again.
The show has definitely turned up a notch in season two, with the comedy writing sharper and the jokes more frequent. Funniest line for me was Conway talking about her first girlfriend: “You’d think because we have the same parts, it wouldn’t feel like she was digging in the bottom of her purse for her keys, but…”
Animal Control, “Dragons and Dognappers” – I guess Josh Segarra’s Parker is still around— Grace is starting to worry she’s becoming a little too involved with him, which is funny mostly because it’s her trying to pretend she can deal with her back injury on her own, Ron Swanson-style. In a bit of a forced enemy collaboration plot, Templeton has had a complaint filed against him for harassment, and Frank (as his union rep, after Gary went on leave) has to defend him in his hearing. Meanwhile, Shred and Emily try to go on their first date, largely with comic hijinks over their attempts to keep it secret. Probably the best episode of the season so far? I enjoyed it, and Templeton and Daisy were better integrated into the episode than they were in the previous two.
A Knight of the Seven Kingdoms, “Hard Salt Beef” – Dunk tries to find someone at the tourney who remembered Sir Allyn and will vouch for him so he can enter. He also meets up with Lyonel Baratheon again and joins his crew in a tug-of-war, takes Baelor Targaryen’s advice to get his own coat of arms, and has an oh-shit moment watching a joust. Another enjoyable episode, but I’d had too many beers during and after the Broncos game so my memory is pretty fuzzy on any specifics, other than one from the beginning of the episode: The show picks up where The Righteous Gemstones left off by hanging some serious dong (and I mean serious dong, I’ve seen smaller baguettes).
St. Denis Medical, “This Isn’t Bingo” – Not the best episode but still with some pretty solid moments. “It’s 1998! Ecstasy just hit the scene!” That’s from the senior health fair, where Alex is trying to educate the elderly, while Chaplain Steve is just trying to keep them entertained and engaged. (There’s an excellent, incredibly sly joke in this story, so sly I didn’t even catch it at first.) There are some very funny parts, though once again, Alex kind of acts in that weird passive-aggressive way trying to steer the fair back to health education.
Bruce and Joyce get a really good plot where Bruce accidentally resuscitates a patient with a DNR order; she has no family or loved ones, which makes the two of them start reflecting that they’re both single with no kids and not getting any younger. (Although as Bruce says, “Just to be clear, nothing will ever happen between us.”)
The Ron-Matt story I wasn’t as high on. Ron looks forward to one of the elderly patients who comes every year and brings him her homemade fudge. This year, though, she’s taken a shine to Matt, and given it to him instead. And instead of asking for some or even telling her how much he appreciates it, Ron… kinda acts like a weird asshole trying to undermine Matt, then just steals the fudge from him. Okay?
High Potential, “NPC” – This episode focuses on an esports professional who dies in strange fashion, seemingly hallucinating… and then Morgan figures out he’s been poisoned. Solid episode, even with taking a few minutes to give Karadec a personal life; there’s a particularly funny scene where Morgan gives an “As Seen on TV” explanation of the victim’s gamer chair. Anyway, the episode also involves pufferfish and fugu, although unlike The Simpsons, it doesn’t end with Larry King reading the Bible. I was pretty satisfied with this episode.
Best Medicine, “All the World’s Ablaze” – Well, this was better the last episode in part because of the appearance of Parker Young1 as the titular Blaze, who gives an annual wilderness-safety course in Port Wenn each year (and apparently just lives in the woods the rest of the time?). Other than that, though, the plot is largely similar to what we’ve seen in the past, if not even more extreme in the dissonance. Because once again, people are getting sick unexpectedly, and once again, Martin is trying to find the source of it and prevent its spread / help them get better, and once again, they’re mad at him for it. Oh, and also he saves Blaze’s life and they don’t really appreciate that either. The story from last episode with Elaine and her mother gets a push from Martin and a resolution… but it still feels kinda thinly sketched out in how it plays out, like an early draft.
I enjoy some of the performances— Josh Segarra’s2 brief appearance reminded me he’s a pretty funny character, and other than Abigail Spencer’s Louisa, the only one who seems to have any consistent affection for Martin even when Martin is trying to keep him healthy— but I think the show’s just missing the mark. I think the idea it’s going for is that Martin is a little stuck-up in that big-city way, and the townfolk are weird and quirky but ultimately good-hearted, and eventually the two learn to appreciate each other, even the differences and quirks. But the townfolk don’t come off as quirky (and certainly not good-hearted) so much as they come off as stubborn and ignorant, and then they’re consistently assholes to Martin when he’s just trying to do things like “find the cause of disease” and “stop it from spreading” and “treat his patients.”
He’s rude and standoffish and doesn’t really like people, but then, the people haven’t given him a lot of reason to like him. Every week they get angry at him for doing his job— because they’re so set in their ways that things like “food safety” and “not spreading viruses” are for those newfangled city folk— and every week he does it anyway, and then they learn nothing from it and the next week it happens all over again. I like people and I think I’d be standoffish with them too if they were treating me like this, especially if I was the only doctor in town and nobody wanted to listen to me about medical matters.
There’s a scene where Martin’s aunt tries to give him a lecture about how he’s unhappy and he’s trying to bring down other people’s happiness too, and it just doesn’t land at all. I mean, he is a killjoy, but the actions he takes as the town doctor are the exact same actions he would (and should) take even if he had the best bedside manner in recorded history. And frankly, the people seem more forgiving of his personality than you’d expect and just get pissed at him for taking his responsibilities as the town doctor seriously.
Christ, this might work better if it was a satire and pitched as, like, one doctor’s determination to bring vaccines to this town. Right now it almost plays like a town of stubborn, ignorant assholes bullying an autistic man for the crime of caring about their health.
I mean, I’m pretty sure I finished Fringe before last week’s article, but I am still willing to talk Fringe with whoever.
In trying to find a favorite show of mine that Mrs. The Captain’s Wife doesn’t watch already in return… I realized all I really had was Hacks. But I did finally get her to watch the first episode! Hopefully there’s enough to get her hooked; I’ll keep pressing. I had forgotten some of the details, but what I hadn’t forgotten is how the ending scene with Deborah and Ava was what really sold me on the show.
And she also felt like watching Andor again, which I’ve had plenty to say about already and will have plenty more to say once it’s time to write up the 2025 year in review.
Shoresy ended its run in Canada, but it hasn’t even come to the States yet! It premieres on Hulu February 21.
February will be busy with more new releases, so let’s appreciate it being a little slow for now. It’s very possible we reach a point where I’m just straight-up listing shows because I don’t have time to write more than that.
Talk to the audience?! Oh, this is always death.
About the writer
Captain Nath
Born on the bayou, thriving in the mountains. Writer, gambler, comedian, singer-songwriter, bon vivant, globetrotter, and all-around Renaissance Man with perfect opinions about TV and music. Pronounced with a long A and with the H.
It's a gaming ship.
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Department of
Conversation
What Did We Watch?
Seinfeld, S6 – “The Mom & Pop Store” and “The Soup”. There have been a few episodes this season where not all of the plots have really worked for me (although there’s always something fun happening in the background), I wouldn’t call either of these two top-tier but it did feel like everything was clicking nicely again. “Mom & Pop” manages to tie together Kramer’s disastrous attempts to save a local cobbler (inevitably getting it shut down in the process) with George impulse-buying a car that he believes used to belong to Jon Voight. Also Bryan Cranston turns up as a dentist and the whole episode is a weird tribute to Midnight Cowboy, why not.
“The Soup” has Jerry getting pestered by a fellow comedian who gives him a free Armani suit but then demands dinner in return. Really enjoyed Stephen Hytner’s intense performance! Meanwhile, George fails to romance a waitress and Elaine has a British boyfriend who, for once, is more of an asshole than the main cast. Hell yeah, representation! Lots of fun little things here too, Kramer deciding to give up his refrigerator and “only eat fresh” turns into a disaster when he starts dating a woman who is always hungry, and we finally get to see the Big Salad (it is quite big).
Oh, man, Whatley AND Bania.
Started Spaceballs because I was gonna do some computer errands, couldn’t get in the mood. This might be a comedy that’s best with other people as the gags are funny but not always laugh out loud. (Dark Helmet’s “I can’t breathe in this thing!” did get a chuckle.) Threw on Happy Endings where Penny hooks up with the Car Czar, with Rob Corddry killing a Farina-esque Chicago accent. Once used Max’s rationale for entering a gay beauty pageant for a writing contest (“Winning money through a highly subjective, hard to win contest, there’s no way I can lose!”)
Alfred Hitchcock Presents, “The Orderly World of Mr. Appleby” – An orderly set of thoughts will be offered later today.
Miss Marple, “The Moving Finger,” part one – In a different idyllic but hardly perfect village than Miss Marple is usually in, someone is sending poison pen letters all over the place. One letter seems to drive a woman to suicide, but at episode’s end, Miss Marple of course declares it’s murder. It’s really hard to know what to say about these. They are entertaining and well made, but like the novels they are based on, there isn’t much to the stories, and as good as Joan Hickson is, I don’t care much for Marple.
MASH, “The More I See You” – By an amazing coincidence, a woman Hawkeye lived with during residency (Blythe Danner) is now an Army nurse and assigned to the unit. Despite her having walked out on him and her being married now, they pick it up again, only for her to once more realize that Hawkeye is married to his job first. Fairy well done, and this gives up a deep glimpse into Hawkeye’s personality (and why no matter how much fanfic writers might want it, Hawkeye would never marry Margaret, either). But everyone else except BJ either stands off to the side or doesn’t appear. BJ does have a great scene where he tries very hard not to judge Hawkeye and explains that he just feels no temptation to cheat. Put a pin in that.
Inside No. 9, “The Bill”
A massively entertaining, continuously escalating comedy episode that has one great ending that doesn’t make all that much sense if you think about it and one unnecessary ending that all doesn’t make all that much sense but is nonetheless … weirdly heartwarming? At least to me and my wife? Shearsmith, Pemberton, and Jason Watkins play Northerners who take a somewhat braggy and impolite (but warmly gregarious) visiting Southerner (Philip Glenister) out for tapas. The restaurant’s closing up, and it’s time to pay the bill. Pemberton’s treat. No, Shearsmith’s. No, Glenister’s. (Watkins spends most of the time accepting everyone else’s offers and itemizing the bill to meekly point out that he shouldn’t have to pay a full fourth if they split it, and his character is a comedic masterpiece.) This goes to wild, absurdist lengths–the It’s Always Sunny Gang would be proud, even if they wouldn’t come at it from this angle–and then gets wilder still.
Same here with Hacks! A lot of anti-woke (read: asshole) comics miss that the jokes they make aren’t funny and watching two people riff on the spot to make a better gag is inherently exciting. The creative process with another person can be so much fun.
I’ll always talk about Fringe – watched “White Tulip” again and was crying at the end. The structure and Weller’s character motivations are truly the stuff of great sci-fi, perfect combination of body horror (what would it look like to make your body into a time machine?), emotion, and narrative trickery. Different Fringe note but I’ve been listening to Road Show featuring Michael Cerveris and he’s so good on the show as the most humanistic Observer.*
*And yet the one guy going after them does develop hatred for the team, a neat touch that this IS a very human reaction. “Fuck these people” is as valid as “I care.”
Damn it, I meant to come back to talk about Fringe!
Seems hockey is having a moment. And there still has never been a show about baseball that lasted more than a single season.
Much as I wish I had time to keep going with Stranger Thin5s, the way we watch stuff the run time of any given episode expands by half an hour, and these are already long enough without our help. So just episode six. And this one is really a right awful mess that is also incredibly entertaining. The latter comes to a large degree from the character interactions. from Nancy and Jonathan finally getting to talk (and Charlie Heaton finally getting to show he has some talent for the first time since season three), from Dustin finally admitting he can’t bear the thought of Steve dying too, from Max and Holly (and we have another great teen actor discovery in Nell Fisher, even if Holly is supposed to be 10). And there are some incredible cathartic moments and some great suspense. But also massive piles of “doesn’t make sense.” Like somehow Eleven, Kali, and Hopper get back from the Upside Down and Hopper just saying “I’ll explain when everyone is back.” (Kronk, how DID we get here?) Or Mrs. Wheeler somehow managing to leave an oxygen container in a washing machine in just the right way at just the right time to kill the demo-dogs. And one of the demo-dogs looking at the thing and giving a cute little doggie whimper just took me out of things. Was that supposed to be funny? At that moment? And this is pretty much the Stranger Things experience now. The heights make it worth watching to the end. The missteps make it likely I am not revisiting this someday.
Meanwhile, back in 2002, The Practice’s sixth season is a mess. Twist endings all over the place. Storylines covering familiar ground, and not doing it well. And it’s occurred to me that no one has a life outside the office anymore. Those babies born last season? Not a mention. All single lawyers? Not a single date. There has been, for a show in its sixth season, shockingly little character development. Right at the moment serialized prime time drama is arriving. There is really little here to make audiences watch. Oh, I play to watch to the end since the show doesn’t become a bad show. But the glory days are over.
Still on a slow Stranger Things rewatch; it will turn into first-time viewing when we get to S4. We’re only midway through S2 right now, but we’ve gotten to the absolutely inspired Dustin-Steve team-up that was one of those cases of the show catching lightning in a bottle. (RIP to Mews: we hardly knew ye.) Sadie Sink is a fantastic addition to the cast and very strong right out of the gate.
As evidenced by my write-ups, I’m also watching Inside No. 9, and while I’ve been handling each episode individually and will continue to do so, I wanted to take this opportunity to talk about the show as a whole. It’s a half-hour British anthology series that handles a wide range of tones–(dark) comedy is often an element, but the plots run the gamut from suspense to horror to drama to pure farce. Creators Steve Pemberton and Reece Shearsmith almost always appear in the cast in some capacity. The episodes are often confined to a single location (anywhere from a cramped train compartment to a mansion to a restaurant). Like any anthology show, especially an ambitious one, the quality can vary a bit, but even relative duds like “The Understudy” tend to have something going for them. The writing is sharp and clever and funny, and the way the comedy and darker plots work together is often a beauty to behold. I’m enjoying it tremendously, and I’d definitely call it a top-tier anthology show.
Currently airing TV: I wrote up the latest on Primal yesterday! This new season is delivering all the classic elements the series excels at but with a new and haunting difference. And I’m also all caught up on The Pitt, even if I won’t be able to watch tonight’s until Friday. The brain tumor patient and his ex-wife was a beautifully handled storyline. And we now have a major escalation on the way, with the Pitt about to be slammed because another hospital needs to close and is diverting its patients to them. (The trailers for the season suggested there’s a second spanner waiting to hit the works, too, and I’m excited for that. I love the disaster movie effect of seeing everyone at work in particularly high-pressure circumstances.)
The Pitt, for all its praise, sounds heavy and distressing. It reminds me why I never got into ER either (and preferred Chicago Hope, at least sometimes).
It definitely can be. There are a lot of storylines that hit very hard emotionally, especially because they’re so often dealing with inescapable problems. There are usually some lighter storylines and humor around as well, but I can totally understand finding the idea of it all too stressful, especially since everyone being overworked and overwhelmed is embedded in the setting.
I can only watch one episode a night, no more.