Captain's Log
Prepare for Sunday's Cunk on Cinema with some previous Philomena Cunk work as well as inspirations
If you’re reading this, you’ve likely heard of Philomena Cunk by now. Most Americans first became familiar with Britain’s daftest documentarian thanks to Cunk on Earth, the first of her docu-shows officially released in America, on Netflix in 2023. But Philomena Cunk (played by Diane Morgan) has been around for a while, first appearing in Charlie Brooker’s Weekly Wipe1 with her “Moments of Wonder” segments, which are available on YouTube. She then spun off into her own specials and series, one-offs such as Cunk on Shakespeare and Cunk on Christmas, and miniseries like Cunk on Britain and the aforementioned Cunk on Earth. The latest was 2024’s Netflix one-off Cunk on Life.
I’m bringing you today’s article because her newest series, Cunk on Cinema, is premiering Sunday on Netflix for the Stars and Stripers and BBC Two for the Union Jacks. So if you’re not familiar with her, now’s a good time to catch up.
While Diane Morgan described Cunk to Stephen Colbert as “me with no social skills,” I don’t think Morgan is that daffy or Cunk is that antisocial. Mostly what defines Cunk is a complete cluelessness about the subject she’s trying to cover, baffling metaphors, strange digressions (often about her mate Paul2), and interviews with subject experts who quickly realize just how out of her depth she is— and if Cunk were as antisocial as Morgan thinks, they would probably never humor her. (When one expert in Cunk on Earth explains to her that nuclear weapons are in fact still very much in existence, she breaks down in distress and asks to change the subject… which then leads to the two bonding over their shared love of ABBA.)
Of course, while Philomena Cunk’s work attempts to cover the whole of history, she herself has been working in the documentary field in our modern times, roughly three to four decades after the 1986 premiere of BBC sitcom Brush Strokes.
And slightly less longer after the 1989 release of unrelated Belgian techno anthem “Pump Up the Jam.”
Well, if you watched those whole videos, you probably have a good idea of what Philomena Cunk’s output is like. But if not, here are a few of my favorite examples, in particular from the BBC shows and specials that never officially made their way to the States, to lower the possibility I give away some good jokes you can easily see for yourself:
- King Arthur came a lot, didn’t he?
- I… I think that you mean that he’s associated with the court of Camelot.
- No, it definitely says “King Arthur came a lot.”
- Camelot.
- Camelot?
- Yeah, it’s it’s his court. Where he, where he held court. It’s, it’s a place.
- Oh, right. But do we know if he came a lot? Or, like, just the same as an average man? Like about a tablespoon.
- The only evidence I have in that regard is that he is said to have had one child.
- Right. So probably not.
- Probably not.
The complete list of Cunk projects:
Anyway, I hope I’ve convinced you to give the United Britain of Great Kingdom’s greatest documentariarian a shot. And if you like her, you may want to consider some similar and inspirational shows as well. Alan Partridge is a fictional character in a fictional world (and, aside, possibly the UK’s greatest comic character), but he is similarly hopelessly out of his depth, although far more insecure and egotistical about it. Da Ali G Show3 is, of course, centered around a similarly idiotic documentarian interviewing real people. And blurring the line between reality and comedy is a staple of Nathan Fielder’s, and odd documentaries that go inexplicable places is what you’ll find with John Wilson.
Hey, Adults not only got renewed, but got 16 episodes for season three, practically unprecedented in our world where cable and streaming are moving closer and closer to the UK model than our old network model. This interview with John Landgraf goes into more detail. (I think; at some point, you need a subscription to keep reading, but I was mostly looking for the parts about the renewal and the 60% jump in viewership between seasons one and two.)
I don’t know. Please, I’m begging you, someone else volunteer to finish the month. If you make me publish something on Thanksgiving Day you will all be extremely disappointed with it.
About the writer
Captain Nath
Born on the bayou, thriving in the mountains. Writer, gambler, comedian, singer-songwriter, bon vivant, globetrotter, and all-around Renaissance Man with perfect opinions about TV and music. Pronounced with a long A and with the H.
It's a gaming ship.
Tags for this article
More articles by Captain Nath
Captain's Log
Standing up for the little guy, when the big guys are a bunch of antisocial nerds who want us all dead
Captain's Log
I wanted to believe. Was my belief rewarded?
Captain's Log
Okay, none of them are that spooky. More like "some sitcom Halloween episodes you probably haven't watched"
Captain's Log
Pictured: Walton Goggins on set reading the scripts and realizing he's made a huge mistake
Department of
Conversation
What did we watch?
M*A*S*H, Season Five, Episode Five, “Lt Radar O’Reilly”
“Wanna sell your house?”
“We rent.”
“Then you didn’t get any mail.”
“Friend of mine was a plumber one day and in charge of the Panama Canal the next.”
“I saw him throw himself on a case of rotten spam.”
“Ate the whole thing.”
“Crazy army. Wish I could hear through my nose.”
It often occurs to me how many stories on M*A*S*H are cliche – by which I mean, not so much the plots themselves (though there are a lot of chains o’ deals) but the underlying morality and emotional arc. This one has a classic Be Careful What You Wish For (Authority Edition), where being in a position of real authority leaves you lonely at the top; it would be cheap if they didn’t get all the details right, with everything reflecting Radar’s character.
One thing I like is that it highlights how much of Radar’s character comes down to his willingness to work hard; the whole thing is sparked by him doing well at poker, walking away with a lot of money, and the guys letting him because when he says he has to work, he’s being honest (fantastic detail that it’s BJ who gets the idea to promote him, and that he’s amused with himself for a moment before explaining). Part of the problem is that he can’t get his work done the way he likes it, but it’s mainly because he can’t maintain relationships with his friends anymore; there’s this fascinating contradiction in the show where it understands the nuances of class and hierarchy whilst having zero respect for them.
Hacks S5E3 – Not the most substantive episode plot-wise, merely a very fun one, with Deborah and Ava both taken with new guys in their lives until they both screw things up. (Ava less so, struggling magicians are somehow sadder than struggling comics.) Deborah acting like a teenage girl is funny and I loved the big twist that ruins Marty’s wedding. (Hint: Hilaria Baldwin.) It leads to a sweet scene between her and Marty, who have always cared about and really get each other. “Did you know he’s anti-bullying? That’s so cool.” “That’s going to be a problem for you.” “You’re gonna find me another Sunday boy!” I would like to think that all Las Vegas mayors are horny freaks.
It doesn’t help that Ali G must be Cohen’s most purely outdated character by now, right? This isn’t even a stereotype that’s recognizable by now.
Yeah, I don’t think “turn-of-the-century chav” is really that recognizable in 2026. Any more than metrosexuals and lad mags would be today in the US. (Apparently Maxim still exists, though.)
But aren’t Frasier and Niles metrosexuals to some degree? People still recognize them.