In Memoriam
Losing a star of one of my mom's favourite shows.
Sometimes, the obituaries I write are for me. Some people are something of an obligation—I won’t name names, because that feels tacky—but sometimes, I am genuinely saddened to learn that someone has died, even at the ripe age of eighty. This is true even if that person is someone I would have to backtrack about six steps to even tell the average person who they are. Such is the case with Randolph Mantooth. I opened a tab, and my browser informed me in its “here is stuff you should read other than what you’re trying to open” selection that he had died. I actually let out a sad noise and teared up a little. He’s been part of my life since I was a very small child, and I’m sure a lot of readers have no idea who he was.
Randy Mantooth was born to a father of Cherokee and Seminole descent and a mother of German and English descent. Admittedly he was born in Sacramento, California, and grew up in Santa Barbara, but still. One assumes the name “Mantooth” made him stand out a bit. Still, when he got a scholarship to the American Academy of Dramatic Arts and went from “Randy” to “Randolph,” he still kept the last name. He began working on the stage and was gaining attention. He was spotted by Eleanor Kilgallen and signed to Universal. He returned to California and bit-part television.
And then, there was Emergency! It is hard to overestimate the show’s influence, to the point that when props from the show were accepted by the Smithsonian into the American History Museum, it was under public service, not entertainment. The show is the story of two paramedics, Roy DeSoto (Kevin Tighe) and Mantooth’s Johnny Gage. At the time of the show’s premiere, there were twelve paramedic units in all of North America, in only four municipal areas. Within ten years, more than half of Americans were in range of a paramedic unit.
The show is bonkers and I love it. I grew up on it, calling Johnny “the young, cute paramedic.” I rewatched it as an adult, and some bits have aged better than others. Chet Kelly remains The Worst, and it’s delightful when Johnny gets the better of him. He even calls Chet out on the “I’m part Native American” routine, suggesting that Chet’s ancestor was a Cherokee princess. Which Chet agrees to, expressing astonishment that Johnny knew. It’s deeply satisfying. But Johnny is out there working hard and saving lives, and the character was an influence on how we see the importance of the job today.
Mantooth kept acting afterward, but he knew what his legacy would be. He was an honorary Los Angeles County Fire Department chief. He worked for emergency preparedness, including in the Native community. He remained lifelong friends with his former costars, and he was open about the fact that, in an emergency, he was calling 911, too. A few sessions of paramedic training in the 1970s didn’t make him an expert, and he was well aware of that. Even if we’ll always remember him, those of us who do, as Johnny Gage.
About the writer
Gillian Nelson
Gillian Nelson is a forty-something bipolar woman living in the Pacific Northwest after growing up in Los Angeles County. She and her boyfriend have one son and one daughter, and she gave a child up for adoption. She fills her days by chasing around her kids, watching a lot of movies, and reading. She particularly enjoys pre-Code films, blaxploitation, and live-action Disney movies of the '60s and '70s. She has a Patreon account.
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