In Memoriam
One of the great character actors and grumpy old men.
The first thing I do when I write about people, living or dead, is scroll through their IMDb page and figure out where I know them from. Well—that’s not strictly true. Sometimes, it doesn’t take scrolling. But with Stacy Keach, there are a ton of choices, and by the nature of his career, few of them are lead roles. And honestly I never watched any of his Mike Hammer stuff on the grounds of not particularly liking Mike Hammer as a character. It’s also true that his voice is extremely familiar, but you can’t do an article image of the narration of an episode of NOVA.
Walter Stacy Keach, Jr., was the son of actor Stacy Keach. His father had been a minor actor with well over a hundred credits of his own, including several as dialogue director and one for directing an episode of Tales of the Texas Rangers. (At least I assume it’s an episode. IMDb just lists the series.) Keach Junior was born with a cleft lip and a partial cleft palate and underwent many operations as a child to fix it. His trademark moustache hid the surgical scars, and as an adult he was the honourary chairman of the Cleft Palate Foundation.
Keach was also clearly one of those actors whose intelligence was underrated. He had two BAs from Berkeley, one in English and one in Dramatic Arts, plus an MFA from the Yale School of Drama and a Fulbright Scholarship to the London Academy of Music and Dramatic Art. It’s quite the resume even before he set foot on the stage, and once he did, the praises started piling up. While he wasn’t even close to EGOT, having only been nominated for a Tony and an Emmy and winning neither, he did have, among other things, four Drama Desk Awards and two Helen Hayes Awards.
He was also an accomplished musician. He composed and performed the music for the Mike Hammer audio series in which he himself played the role. He co-wrote the song “Easy Times” with Judy Collins and sang backup on her recording of “Amazing Grace.” He didn’t have as many musical credits as some dramatic actors we’ve covered over the years, but I suspect many people didn’t realize he had any at all.
Basically, Keach worked in almost everything we cover around here. Shockingly, he doesn’t seem to have appeared in any video games, and that’s about it. He wrote an autobiography, even, called All in All: An Actor’s Life on and Off the Stage. There are hundreds of choices for where you know him from, and while I won’t claim that none of them are bad, quite a lot of them are pretty good. Whether you like Mike Hammer or not.
About the writer
Gillian Nelson
Gillian Nelson is a forty-something bipolar woman living in the Pacific Northwest after growing up in Los Angeles County. She and her boyfriend have one son and one daughter, and she gave a child up for adoption. She fills her days by chasing around her kids, watching a lot of movies, and reading. She particularly enjoys pre-Code films, blaxploitation, and live-action Disney movies of the '60s and '70s. She has a Patreon account.
Gillian Nelson’s ProfileTags for this article
More articles by Gillian Nelson
Intrusive Thoughts
Maybe I don't need to see the trailer that many times, Laika.
The Rockford Files Files
In which Jim teams up with an array of private eyes to find out who's burning them all.
Celebrating the Living
Another person of multiple careers who is still going.
Disney Byways
Actually quite a few dull moments but never mind.
Department of
Conversation
He wrote and sang the theme for American Greed as well.
Not a lot of resumes go from Joe Papp to John Huston to Cheech & Chong. I won his autobiography in a giveaway when it first came out and it was extremely strange to realize the asshole Dad from Titus spent most of the 70s poised to be The American Shakespearean Actor. He seemed to have a sense of humor about himself and I was always glad to see him. Might throw on Fat City later this month in memoriam.