Camera Obscura
Opus the Penguin in his one and only TV outing, based on the charming Christmas story by Berkeley Breathed.

Penguins do, in fact, fly. If you’ve ever seen them swim, you will recognize that as merely flying through water instead of air. They are exquisite as they do so. Water is a penguin’s natural environment just as surely as land appears to be. Penguins do indeed look very silly waddling about; it’s part of their charm. But as charming as that might be to the casual human observer, there’s a real discussion about how penguins might feel about the whole thing.
Opus, beloved creation of Berkeley Breathed, has the distinct disadvantage of not living in his native Falkland Islands. Instead, he lives in Bloom County, Somewhere in Middle America. There’s water, but not a lot of it. Not as much of it. And so Opus dreams of flight, to the mockery of most of the birds around him. He writes a letter to Santa Claus asking for wings that work, and arguably he gets it, just not the way he was expecting.
Unsurprisingly, given the screenplay was written by Breathed, the special works out much the same way. There’s the addition of voices, of course; Opus is the extraordinarily prolific Michael Bell. We’ve also been given a support group, led by Ronald-Ann (Alexaundria Simmons), for flightless birds. (Including a kiwi voiced by “Sudy Nim,” really Robin Williams.) And, yes, there is the letter to Santa Claus, and there is the lovely climax.
Breathed felt that the story didn’t work on television, that his humour didn’t transfer over well, and that he wasn’t great at writing screenplays. I disagree; I think it’s charming and deserves to be higher in the TV special pantheon than it is. It was the first thing directed by Skip Jones, though his animating credits go back to “The Small One.” (He’s one of the animators who followed Don Bluth away from Disney, by the look of it.) Breathed thought he was in over his head, but I think it turned out well. Perhaps not the way it was in Breathed’s head, but we do what we can.
The one advantage to its being forgotten now is that the short is available on YouTube—and the version I saw even includes its period commercials, to my great delight. If you want to read the book, it’s accessible. The story is wistful, touching, and funny all at once. And also, of course, there’s the cartoon version. You can hear Dustin Hoffman as a transvestite cockroach if you’re so inclined. You can even do it with the commercials that offer you the chance to watch The Golden Palace or the world-premiere movie of Dr. Quinn, Medicine Woman.
Next month, enjoy some Dick Van Dyke shenanigans with Fitzwilly!
About the writer
Gillian Nelson
Gillian Nelson is a forty-something bipolar woman living in the Pacific Northwest after growing up in Los Angeles County. She and her boyfriend have one son and one daughter, and she gave a child up for adoption. She fills her days by chasing around her kids, watching a lot of movies, and reading. She particularly enjoys pre-Code films, blaxploitation, and live-action Disney movies of the '60s and '70s. She has a Patreon account.
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I had no idea this was a TV show, the book is lovely. Opus is such a sweet creation, it’s funny to go way back and see him before his schnozz turned into the beak we all know and love — I think Breathed does a wonderfully consistent job emphasizing his ungainliness (in depiction and in well-meaning but often unsuccessful action) while also showing his goodhearted spirit.