I don’t remember a lot of my dad’s preferences in media. I assume he watched the news with my mom, and I was really sad when I realized he’d missed “Goodbye, Farewell, and Amen” by a matter of weeks, because he would have loved to know what happened when the gang at the 4077 went home. His favourite Disney animated movie was Lady and the Tramp. And that’s about where my knowledge of his taste runs out. But there are assumptions we make, because we think of certain media as just being for dads, regardless of anything else about the dad in question.
It’s a bit hard to separate Dad Media in particular from just, you know, media. The characters in it are mostly men, but, like, that’s just movies. Baseball movies are usually Dad movies, but some action movies are and some aren’t—though my beloved Uncle Bill, who filled in as something of a surrogate dad when I was growing up, loved action movies and would go see them without my aunt. It’s not even necessarily the kind of thing that’s full of Dad Jokes, though you might assume it would be—Dad Jokes, in fact, are considerably easier to define.
In many ways, I’m absolutely the wrong person to talk about this particular genre, being a woman who mostly grew up without a father and all. But I’m still fully able to look at things and say, “Yeah, that’s a Dad Show.” Do I know that my dad probably liked The Rockford Files? I do not. But I still kind of assume he did. And while Different Seasons, and therefore Rita Hayworth and Shawshank Redemption, came out the year before Dad died, he definitely missed the movie version so I don’t know he absolutely would have loved it, but come on. Dads love The Shawshank Redemption.
Actually, my dad was born in 1938, this year’s Year of the Month, and he missed a fair amount of Dad Movies. No Bull Durham or Field of Dreams for my dad. No chance to sit down and bond over Tombstone with my dad, though I suspect he would’ve found it awkward how much I thirst over early ‘90s Val Kilmer. He missed almost the entire careers of Harrison Ford and Tom Hanks—he didn’t even get to see Uncle Neddy punch Alex! Many James Bond movies have been made since 1983.
It’s kind of funny that the only Star Trek I saw in the theatre is The One With The Whales, because that feels more like a dad thing, and my mom is, perhaps predictably, not a huge fan. But Star Trek is Dad Media. I covered Martin Scorsese for Celebrating the Living this week, and that’s Dad Media. The Coens. Mel Brooks. Zucker-Abrams-Zucker. John Wayne. Oh, you know dads be liking them some Westerns. I strongly suspect the Knives Out movies.
The obvious question, I guess, is why. Because these appear to be true regardless of the dads in question. These don’t seem to be about class or ethnic background or region. Dads just like certain movies. I mean, I guess this is an American-centered list, and I can’t speak to dads in other countries. But it’s like being a dad instills in you an intense love for puns and The Great Escape. There are exceptions; my mother’s father didn’t like any jokes, regardless of whether they were puns or not, and I’ll admit I don’t know his opinion of The Great Escape.
Here’s where I admit I don’t have an answer, myself. That being a fatherless woman, I suppose. I’d love to hear from actual dads, and I suspect I’ll just put up with the puns. (A lesser-known corollary to the Dad Joke is the Mom Resigned Sigh.) Why did we all assume you guys were going to rush out and watch Ford v Ferrari? How many Christopher Nolan movies have you seen in the theatre? Women like these movies, too, of course, but I’m pretty sure the reason Steve McQueen, Robert Redford, Paul Newman, and Harrison Ford have the records they do is that dads like the movies and moms can put up with them so they can watch the actors.
What about my partner? Yeah, to a lot of these. I am, unsurprisingly, the pop culture nut in the family, but he does watch a lot of Dad Media, and I think he watches a lot more of it than he did before we had kids. Not all of these. I like Scorsese more than he does, actually. But also I’ve been joking since before our son was born that the reason he wanted to have kids was to have a captive audience for the jokes.
About the writer
Gillian Nelson
Gillian Nelson is a forty-something bipolar woman living in the Pacific Northwest after growing up in Los Angeles County. She and her boyfriend have one son and one daughter, and she gave a child up for adoption. She fills her days by chasing around her kids, watching a lot of movies, and reading. She particularly enjoys pre-Code films, blaxploitation, and live-action Disney movies of the '60s and '70s. She has a Patreon account.
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Like I said on Discord, I like pretty much all movies generally considered “dad movies,” so I was thinking a little about why these work and maybe why they attract the audience they do. Excuse the comment section theorizing:
I think reliability is a huge part of it. These are all what I think of as extremely traditionally satisfying entertainment: dad movies are rarely experimental or artsy, and they’re not usually what we’d call fun-bad or so-bad-they’re-good. They’re well-executed, if not particularly ambitious in form or content, so you know what you’re getting into. There’s a dad-aged man as the protagonist, and he’s usually a blend of relatable and aspirational, so he rings true with people’s experience but also offers an enticing fantasy of being just a little bit cooler. So dads get a guy who’s a little bit like them–but is also a little more like who they would want to be–and an engaging story, and usually the engaging story is set in an environment that hints at a reliably interesting form of conflict. Sports. War. The Old West. Submarines. The potential for meaningful action is embedded in the setting, which adds the pleasure of anticipating specific things that might happen.
So if I had to guess, I’d say that dads like dad movies because most of these movies deliver competent, traditionally satisfying storytelling, and a movie is helped into becoming a dad movie if it has a setting that implies the nature of its conflict and wish fulfillment fantasy; thus far, these are the reasons I like these movies too. Being the demographic the wish fulfillment elements are targeting probably only makes those elements more satisfying, but I think this is all stuff moms and non-parents respond to, too. Adulthood can be busy and risk-averse, and sure things are welcome, especially when your viewing time might be limited by having to take care of the kids.
(A lot of traditional Hollywood “women’s pictures” also have these elements, minus the male protagonist, and I think they’d be more popular with dads and men in general for offering some of the same pleasures if a lot of men weren’t taught early on that they “shouldn’t,” or at least don’t need to, identify with female protagonists. Women aren’t usually socialized to limit their empathy to their own gender–the opposite, if anything.)
The curveball, maybe–an element that really is more specific to men of a certain age–might be the way these movies allow and even encourage emotion. Hollywood acts like men have fantasies of action and women have fantasies of feeling or relationships (romance, family melodrama, etc.), but “dad movies” definitely include some tearjerkers, even when it comes to men feeling things about other men (though usually in a straight way). The high-stakes situations and settings in these stories give their male characters an implicit excuse–not that they should need one, of course–for being more openly affectionate and emotionally invested in human connection, including connection with other guys. A fair number of men who are dads now, and certainly a lot who were our dads, probably grew up with the instilled sense that there’s a narrow range of emotions they can express and a narrow set of circumstances in which they can express them (and a narrow set of people they can express them for). (Shades of Bill Burr saying that he felt like his two feelings were supposed to be “angry” or “fine.”) Age and independence gets men to a point where they can rethink that, and relationships and fatherhood hopefully encourage them even more by providing them with people in their lives that they may want to be vulnerable to. It’s a good time to want to feel and experience more, so … why not let yourself cry at Shawshank Redemption or Field of Dreams?
I ended up using The Dirty Dozen as an article image because of that scene in Sleepless in Seattle, so you may have a point.